Lectures/Panels – 北京泰康美术馆 TAIKANG ART MUSEUM

Next Frame: The Shift in the Animation Industry in the Age of AI

Animating China: A History of Shanghai Animation Films

Letting Memories Speak: The Golden Time of Chinese Animation in Oral History

Animating China: A History of Shanghai Animation Films

“72 Earthly Transformations” of Sun Wukong after The Monkey King: Uproar in Heaven

Animating China: A History of Shanghai Animation Films

When Canvas Meets Screen: The Artistic Connection Between the Central Academy of Arts and Crafts and Animated Films

Animating China: A History of Shanghai Animation Films

Temporal Resolution: Time Exploration in Imaging Devices and AI Creation

The Rehearsal Project： A Solo Exhibition Series

Monkey King On and Off Screen: The Operatic Roots in the Animated Film Havoc in Heaven

Animating China: A History of Shanghai Animation Films

Zhang Guangyu and the Childhood Hero: The Birth of Sun Wukong(Monkey King)

Animating China: A History of Shanghai Animation Films

My World Looks Like This: A Global Tour of Children’s Original Animation

Animating China: A History of Shanghai Animation Films

Once Upon a Cartoon: Let’s Talk About the Foreign Animations We Loved

Animating China: A History of Shanghai Animation Films

Drawing Life, Animating Stillness: A Brief History of Chinese and Foreign Animation Performance Styles

Animating China: A History of Shanghai Animation Films

Unofficial Animation: Personal Witness to the Development of Indie Animation in New-Century China

Animating China: A History of Shanghai Animation Films

Metamorphosis: The Transformation and Industrialization of Chinese Animation (1980-2015)

Animating China: A History of Shanghai Animation Films

Re-locating China’s Golden Age of Fine-Arts Animation on the World Animation History

Animating China: A History of Shanghai Animation Films

All That Is Open

Time Unfinished：Chinese Contemporary Art 1980s × 1990s

Looking Back at the 1990s

Time Unfinished：Chinese Contemporary Art 1980s × 1990s

Constant Experimentation: Art, Cinema and Philosophy in the 1990s

Time Unfinished：Chinese Contemporary Art 1980s × 1990s

The Mountain-Walking Reader: Ma Zhongliang’s Scholar Zeal and Lifelong Learning

Time Unfinished：Chinese Contemporary Art 1980s × 1990s

From Campus to Society

Time Unfinished：Chinese Contemporary Art 1980s × 1990s

Chasing the News: My Journey Through Chinese Photography of the 1980s-90s

Time Unfinished：Chinese Contemporary Art 1980s × 1990s

Dialogue Beneath the Timber Shade: Balancing the Artificial and the Natural

Timeber Shade——Space for All

Zhejiang Academy of Fine Arts in the 1980s

Time Unfinished：Chinese Contemporary Art 1980s × 1990s

Forum Series “The Age of Sensibility”—Reframing Perception, Creativity, and the Human-AI Boundary

Creative Machine

AI-Era Confessional: Oops, I Become a Parent in the Age of AI

Creative Machine

The Language of Creativity: Technological Singularity and Art’s Future

Creative Machine

The Rhetoric of the Contemporary Figure: The Works of Zhang Peili

Zhang Peili 2011.4.27-Permanent

Hygiene and Modernity: The Concept of Hygiene and Artistic Creation at the End of the Century

Zhang Peili 2011.4.27-Permanent

Breaking Voices: A Forum on Chinese Rock Music in the 1990s

Time Unfinished：Chinese Contemporary Art 1980s × 1990s

Beyond Sound Art: The Conversation Between “Sound” and “Tone”

The Rehearsal Project： A Solo Exhibition Series

Fly, Fly

“Ta们的故事会”系列公共活动

New Dialogues in Education: The Principles of Life in the Age of AI

Creative Machine

From More Than Human to Beyond Intelligent —The Creative Spark of AI

Creative Machine

Body, Identity, and Personal Experience: The 1990s and Today

Zhang Peili 2011.4.27-Permanent

Looking at Me: Self-Portraiture in Performance and Video Art

Zhang Peili 2011.4.27-Permanent

Mirrored Summer: Reality and Performance: The Self On and Off Camera

Artist Dialogue: Yang Zi in Conversation with Li Zixun, Payne En, and Zhan Rui

Two Sides of One Coin: Reflections and Transformations

Shuttling Between City and Countryside: The Dual Mirrors of Their Lives

Two Sides of One Coin: Reflections and Transformations

Artist Dialogue: Yang Zi in Conversation with Mai Ta, Tang Han, and Tong Yixin

Two Sides of One Coin: Reflections and Transformations

Opening Architecture Salon: The Relationship Between Space and the Body

Matrix—Space for All

Artist Dialogue: Yang Zi in Conversation with

Two Sides of One Coin: Reflections and Transformations

The Mirrored Summer: One or Two?—The Multiple Selves of the Qianlong Emperor

Two Sides of One Coin: Reflections and Transformations

My Father Jiang Zhaohe

Gazing into the Vast Expanse: The Art and Archives of Jiang Zhaohe

Ancient Costumes for Modern Ads: Zhang Guangyu’s Figure Lines and Photographic Patterns

Gazing into the Vast Expanse: The Art and Archives of Jiang Zhaohe

Portraits for the People—The Humanist Spirit of Jiang Zhaohe

Gazing into the Vast Expanse: The Art and Archives of Jiang Zhaohe

Xu Beihong’s Concept of Sketch and His Pedagogy for Chinese Figure Painting

Gazing into the Vast Expanse: The Art and Archives of Jiang Zhaohe

A Common People’s Painter-Friend: The Creative Trajectory of Jiang Zhaohe

Gazing into the Vast Expanse: The Art and Archives of Jiang Zhaohe

OOTD Forever: A Century of Chinese Fashion and Everyday Dress

Engaging with the World: Modern and Contemporary Chinese Art Since the Dawn of the 20th Century

The First Taikang Art Museum Annual Forum — In Search of Answers from Time

From the Sino-Soviet “Ma Program” to the Sino-Romania “Luo Program”: A Tri-National Art History (1955-1962)

Engaging with the World: Modern and Contemporary Chinese Art Since the Dawn of the 20th Century

The Polyphonic Realities: Yang Qiuren’s “Under the Veranda” (1948) and Postwar Painting

Engaging with the World: Modern and Contemporary Chinese Art Since the Dawn of the 20th Century

Global Dialogue: The Interaction Between the International Art Market and Art Museums

Toward the Sea: Coastal Defense and Marine Construction in Guangdong Art of New China

Engaging with the World: Modern and Contemporary Chinese Art Since the Dawn of the 20th Century

Body Against Image—The Body Narrative in Contemporary Chinese Art

Engaging with the World: Modern and Contemporary Chinese Art Since the Dawn of the 20th Century

Capital: A Critique of Political Economy and Art: The Case of Alexander Kluge

Engaging with the World: Modern and Contemporary Chinese Art Since the Dawn of the 20th Century

Plants, Colonialism, and Visual Global History—The Image-Reproduction Dilemma during the Sino-French War

Engaging with the World: Modern and Contemporary Chinese Art Since the Dawn of the 20th Century

The Interweaving of “Decorativeness” and “Realism”: Pang Xunqin’s Pencil Drawings in Wartime

Engaging with the World: Modern and Contemporary Chinese Art Since the Dawn of the 20th Century

Deeper Understanding of Society: The Necessary Preparation and Training for Art to “Enter the World”—Li Hua’s Tortuous Artistic Quest in the Republican Era

Engaging with the World: Modern and Contemporary Chinese Art Since the Dawn of the 20th Century

Historical Information in Self-Portraits—New Discoveries about Li Shutong’s Oil Self-Portrait

Engaging with the World: Modern and Contemporary Chinese Art Since the Dawn of the 20th Century

Indebted to Intimates: The World of Qi Baishi’s Friends

Engaging with the World: Modern and Contemporary Chinese Art Since the Dawn of the 20th Century

Intimates and Home Country: Fang Junbi’s Emotional Experience and Reflections on Modern Chinese Female Subjectivity

Engaging with the World: Modern and Contemporary Chinese Art Since the Dawn of the 20th Century

Capital: A Critique of Political Economy and Chinese Historiography—The Case of Historian Hou Wailu

Engaging with the World: Modern and Contemporary Chinese Art Since the Dawn of the 20th Century

Pan Yuliang and Modern Chinese Art

Engaging with the World: Modern and Contemporary Chinese Art Since the Dawn of the 20th Century

Borrowing the Road through Japan: Chinese Artists Who Studied in Japan in the First Half of the 20th Century

Engaging with the World: Modern and Contemporary Chinese Art Since the Dawn of the 20th Century